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While it might be too early to start making Palme d’Or predictions, and knowing that the jury is sometimes prone to making offbeat decisions, at the very least, Andrey Zvyagintsev‘s “Loveless” has become one of the early highlights of the Cannes Film Festival. Jessica Kiang’s A-grade review called it “a feelbad film of gargantuan reach and effect, and a brave, horrified commentary on a whole nation” and while this new trailer is only in Russian, you can feel the power of the film pulsing through. Continue reading A Child Goes Missing In Trailer For Andrey Zvyagintsev’s Cannes Sensation ‘Loveless’ at The Playlist.
After four films, including the brilliant Cannes 2014 title “Leviathan,” we are almost prepared for the crystalline perfection of Russian genius Andrey Zvyagintsev‘s style. The long takes that end in razor-fine, lacerating edits. The frames composed like sculptural studies in decay and dereliction. The rancorous exchanges acidic enough that a carelessly dropped word could burn through the floor to the apartment below. And we even expected his bitterness, his allegorically politicized critique of Russian society, its corruption and cruelty. Continue reading Andrey Zvyagintsev’s Purgatorial, Punishing, Pristine ‘Loveless’ [Cannes Review] at The Playlist.
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There’s now less than a month until Christmas, and after a start last week with our look at the Best Posters and Best Trailers of the year, this week commences in earnest our annual smorgasbord of movie love that is our annual Playlist year-end features marathon. We’ll be looking at the best and worst of films, performances, sequences, cinematography, soundtracks and more across the next few weeks, which will serve as a reminder that 2016 was a pretty strong year at the movies. Continue reading The 100 Most Anticipated Films Of 2017 at The Playlist.